{"id":8611,"date":"2026-06-03T11:34:07","date_gmt":"2026-06-03T09:34:07","guid":{"rendered":"https:\/\/magazineforyou.com\/1\/?p=8611"},"modified":"2026-06-03T11:34:07","modified_gmt":"2026-06-03T09:34:07","slug":"the-guitar-sisters-jon","status":"publish","type":"post","link":"https:\/\/magazineforyou.com\/1\/the-guitar-sisters-jon\/","title":{"rendered":"THE GUITAR SISTERS &#038; JON"},"content":{"rendered":"<p><strong><em>Disa histori muzikore fillojn\u00eb n\u00eb studio. T\u00eb tjera fillojn\u00eb n\u00eb skena t\u00eb m\u00ebdha n\u00ebn drita t\u00eb forta. P\u00ebr The Guitar Sisters &amp; Jon, gjith\u00e7ka filloi n\u00eb sht\u00ebpi, n\u00eb mbr\u00ebmje q\u00eb n\u00eb at\u00eb koh\u00eb dukeshin t\u00eb zakonshme, por m\u00eb von\u00eb u b\u00ebn\u00eb kujtime t\u00eb paharrueshme. Shum\u00eb koh\u00eb para koncerteve, festivaleve dhe paraqitjeve publike, ishte thjesht nj\u00eb sht\u00ebpi e mbushur me tinguj. Instrumentet nuk ishin kurr\u00eb zbukurim, por pjes\u00eb e jet\u00ebs s\u00eb p\u00ebrditshme. Nj\u00eb melodi mund t\u00eb niste n\u00eb \u00e7do moment, pas darke, gjat\u00eb bisedave apo kur vinin mysafir\u00eb. K\u00ebng\u00ebt nuk praktikoheshin p\u00ebr duartrokitje, por ndaheshin natyrsh\u00ebm fillimisht brenda familjes. Sot, v\u00ebllez\u00ebrit e motrat performojn\u00eb para publikut t\u00eb t\u00eb gjitha moshave, megjithat\u00eb muzika e tyre mban ende t\u00eb nj\u00ebjt\u00ebn ndjenj\u00eb q\u00eb kishte n\u00eb dhom\u00ebn e ndenjes ku gjith\u00e7ka filloi, t\u00eb af\u00ebrt, t\u00eb sinqert\u00eb dhe t\u00eb ngroht\u00eb.<\/em><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><em>Rr\u00ebnj\u00ebt e tingullit<\/em><\/strong><\/p>\n<p>Frym\u00ebzimi i tyre i par\u00eb nuk erdhi nga trendet apo rrjetet sociale, por nga babai i tyre. Ai kishte pasion t\u00eb madh p\u00ebr muzik\u00ebn dhe madje punonte vet\u00eb instrumentin tradicional \u00e7ifteli. F\u00ebmij\u00ebt shikonin, d\u00ebgjonin dhe ngadal\u00eb u b\u00ebn\u00eb pjes\u00eb e tingullit p\u00ebrreth tyre. N\u00eb fillim ishte kureshtje. Pastaj u b\u00eb zakon. N\u00eb fund, dashuri. \u201cMuzika hyri n\u00eb jet\u00ebn ton\u00eb si di\u00e7ka normale, jo si di\u00e7ka q\u00eb e planifikuam si profesion,\u201d shpjegon Rrezarta. \u201cNe thjesht k\u00ebnaqeshim duke k\u00ebnduar bashk\u00eb \u00e7do dit\u00eb.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Krenarja tregoi interes shum\u00eb her\u00ebt. Gjat\u00eb nj\u00eb dasme familjare, kur ishte vet\u00ebm kat\u00ebr vje\u00e7e, nj\u00eb k\u00ebng\u00ebtar e vuri re duke k\u00ebnduar dhe i ofroi mikrofonin. Pa hezitim, ajo k\u00ebndoi me vet\u00ebbesim para t\u00eb gjith\u00ebve. Moment q\u00eb i habiti t\u00eb pranishmit, por p\u00ebr familjen ishte krejt\u00ebsisht i natyrsh\u00ebm. S\u00eb shpejti f\u00ebmij\u00ebt filluan t\u00eb p\u00ebrs\u00ebrisnin k\u00ebng\u00eb n\u00eb sht\u00ebpi, jo sepse iu k\u00ebrkohej, por sepse d\u00ebshironin vet\u00eb. Muzika u b\u00eb nj\u00eb gjuh\u00eb e p\u00ebrbashk\u00ebt n\u00eb familje, nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb kaluar koh\u00eb bashk\u00eb dhe p\u00ebr t\u00eb kuptuar nj\u00ebri tjetrin pa shum\u00eb fjal\u00eb.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>T\u00eb m\u00ebsuarit e mjesht\u00ebris\u00eb<\/em><\/strong><\/p>\n<p>Pika e v\u00ebrtet\u00eb e kthes\u00ebs erdhi kur Krenarja u regjistrua n\u00eb nj\u00eb kurs kitare n\u00eb Podujev\u00eb. Ajo nuk kishte mbushur ende shtat\u00eb vje\u00e7. Rrezarta e shoq\u00ebronte me autobus nga Lup\u00e7i i Ep\u00ebrm n\u00eb qytet. Pasi vuri re pranin\u00eb e saj t\u00eb rregullt, m\u00ebsuesi Ymer Musa e ftoi edhe at\u00eb t\u00eb bashkohej n\u00eb m\u00ebsime. Ajo ftes\u00eb e thjesht\u00eb ndryshoi gjith\u00e7ka. Praktika u b\u00eb rutin\u00eb. Rutin\u00eb u b\u00eb disiplin\u00eb. T\u00eb dyja motrat vazhduan arsimin formal muzikor. Rrezarta m\u00eb von\u00eb p\u00ebrfundoi shkoll\u00ebn e mesme t\u00eb muzik\u00ebs \u2018Prenk Jakova\u2019 n\u00eb Prishtin\u00eb dhe studioi kompozim n\u00eb universitet. Krenarja gjithashtu p\u00ebrfundoi shkoll\u00ebn e muzik\u00ebs dhe tani studion trombon n\u00eb Fakultetin e Arteve. V\u00ebllai i tyre m\u00eb i vog\u00ebl, Jon, ndoqi t\u00eb nj\u00ebjtin drejtim dhe vijon shkoll\u00ebn e muzik\u00ebs p\u00ebr fizarmonik\u00eb. \u201cT\u00eb m\u00ebsonim bashk\u00eb na mbante t\u00eb motivuar,\u201d thot\u00eb Krenarja. \u201cN\u00ebse nj\u00ebri p\u00ebrmir\u00ebsohej, t\u00eb tjer\u00ebt donin t\u00eb p\u00ebrmir\u00ebsoheshin gjithashtu.\u201d Performancat ngadal\u00eb dol\u00ebn jasht\u00eb sht\u00ebpis\u00eb. Filluan t\u00eb marrin pjes\u00eb n\u00eb festivale n\u00eb Kosov\u00eb, Shqip\u00ebri, Mal t\u00eb Zi dhe Maqedonin\u00eb e Veriut. Udh\u00ebtimi p\u00ebr muzik\u00eb u b\u00eb pjes\u00eb e rritjes, rrug\u00ebtime t\u00eb gjata, prova para koncerteve dhe emocion para daljes n\u00eb sken\u00eb. \u00c7do udh\u00ebtim u m\u00ebsoi di\u00e7ka t\u00eb re: durim, p\u00ebrgjegj\u00ebsi dhe vet\u00ebbesim.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>T\u00eb luash si nj\u00eb i vet\u00ebm<\/em><\/strong><\/p>\n<p>T\u00eb performosh me motrat dhe v\u00ebllan\u00eb krijon nj\u00eb atmosfer\u00eb t\u00eb ve\u00e7ant\u00eb n\u00eb sken\u00eb. Koordinimi b\u00ebhet natyrsh\u00ebm sepse komunikimi nuk k\u00ebrkon gjithmon\u00eb fjal\u00eb. Nj\u00eb shikim apo l\u00ebvizje e vog\u00ebl mjafton p\u00ebr t\u00eb kuptuar hapin tjet\u00ebr muzikor. Provat nuk jan\u00eb gjithmon\u00eb perfekte. Ndonj\u00ebher\u00eb mendimet ndryshojn\u00eb p\u00ebr tempin, stilin apo rregullimin. Megjithat\u00eb mosmarr\u00ebveshjet zgjasin pak sepse q\u00ebllimi mbetet i p\u00ebrbashk\u00ebt. Secili an\u00ebtar ka rolin e vet. Rrezarta udh\u00ebheq dhe b\u00ebn solo n\u00eb kitar\u00eb, Krenarja mban akordet dhe Joni ritmin. Gjat\u00eb k\u00ebndimit z\u00ebrat nd\u00ebrthuren me kujdes q\u00eb harmonia t\u00eb ndihet e balancuar dhe jo konkurruese. \u201cT\u00eb jesh familje e b\u00ebn sken\u00ebn t\u00eb ndihet e sigurt,\u201d thot\u00eb Joni. \u201cNdjehet m\u00eb shum\u00eb si ndarje momenti sesa si detyr\u00eb.\u201d Nj\u00eb nga performancat m\u00eb t\u00eb paharrueshme ndodhi n\u00eb sheshin e Prishtin\u00ebs n\u00eb nj\u00eb koncert t\u00eb organizuar nga komuna. Madh\u00ebsia e publikut ishte m\u00eb e madhe se \u00e7do p\u00ebrvoj\u00eb e m\u00ebparshme. Megjithat\u00eb, pas k\u00ebng\u00ebs s\u00eb par\u00eb ndjenja u rikthye, nj\u00ebsoj si t\u00eb k\u00ebndonin n\u00eb sht\u00ebpi, vet\u00ebm m\u00eb fort. Ata kuptuan se skena nuk e ndryshon muzik\u00ebn. Ajo vet\u00ebm e ndan me m\u00eb shum\u00eb njer\u00ebz.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>M\u00eb shum\u00eb se muzik\u00eb<\/em><\/strong><\/p>\n<p>Grupi performon zhanre t\u00eb ndryshme: k\u00ebng\u00eb t\u00eb lehta, muzik\u00eb qytetare, serenata kor\u00e7are dhe repertor folklorik shqiptar. P\u00ebr ta, kjo larmi nuk \u00ebsht\u00eb vet\u00ebm zgjedhje artistike, por p\u00ebrgjegj\u00ebsi kulturore. Ata duan q\u00eb t\u00eb rinjt\u00eb t\u00eb d\u00ebgjojn\u00eb k\u00ebng\u00eb q\u00eb lidhin brezat dhe ruajn\u00eb tradit\u00ebn. Disa k\u00ebng\u00eb kan\u00eb dometh\u00ebnie t\u00eb ve\u00e7ant\u00eb dhe k\u00ebrkojn\u00eb jo vet\u00ebm teknik\u00eb por edhe respekt. Rrjetet sociale i kan\u00eb ndihmuar t\u00eb lidhen me d\u00ebgjues t\u00eb rinj. Gjat\u00eb pandemis\u00eb performancat online u b\u00ebn\u00eb skena e tyre kryesore. Shum\u00eb ndjek\u00ebs i zbuluan aty dhe m\u00eb pas erdh\u00ebn n\u00eb koncerte. Tani publiku shpesh k\u00ebndon bashk\u00eb me ta duke e kthyer performanc\u00ebn n\u00eb p\u00ebrvoj\u00eb t\u00eb p\u00ebrbashk\u00ebt.<\/p>\n<p>&nbsp;<\/p>\n<p>Balancimi i shkoll\u00ebs, jet\u00ebs private dhe muzik\u00ebs mbetet sfid\u00eb, sidomos n\u00eb sezonet me shum\u00eb angazhime dhe udh\u00ebtime. Detyrat shpesh presin deri von\u00eb pas performancave. Koha e lir\u00eb \u00ebsht\u00eb e rrall\u00eb, por ata e pranojn\u00eb si pjes\u00eb t\u00eb rrug\u00ebtimit. \u00cbndrra e tyre \u00ebsht\u00eb t\u00eb arrijn\u00eb sa m\u00eb lart duke mbetur autentik\u00eb. D\u00ebshirojn\u00eb edhe bashk\u00ebpunime me artist\u00eb q\u00eb admirojn\u00eb, ve\u00e7an\u00ebrisht me legjendaren Va\u00e7e Zela, k\u00ebng\u00ebt e s\u00eb cil\u00ebs i konsiderojn\u00eb thesare t\u00eb p\u00ebrjetshme. Mesazhi p\u00ebr t\u00eb rinjt\u00eb \u00ebsht\u00eb i thjesht\u00eb: duajeni artin, respektoni tradit\u00ebn dhe krijoni bashk\u00eb. Muzika p\u00ebr ta nuk \u00ebsht\u00eb vet\u00ebm arg\u00ebtim, por identitet dhe kujtes\u00eb.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Kur nj\u00eb k\u00ebng\u00eb b\u00ebhet kujtim<\/em><\/strong><\/p>\n<p>Nd\u00ebr shum\u00eb k\u00ebng\u00ebt q\u00eb interpretojn\u00eb, nj\u00ebra mbart pesh\u00eb t\u00eb ve\u00e7ant\u00eb emocionale, k\u00ebnga kushtuar Ganimete T\u00ebrbeshit. Lidhja \u00ebsht\u00eb edhe personale pasi edhe n\u00ebna e tyre mban t\u00eb nj\u00ebjtin em\u00ebr, duke e b\u00ebr\u00eb performanc\u00ebn edhe m\u00eb t\u00eb af\u00ebrt. Kur e interpretojn\u00eb k\u00ebt\u00eb k\u00ebng\u00eb, atmosfera ndryshon. Publiku b\u00ebhet m\u00eb i qet\u00eb dhe performanca ndihet m\u00eb pak si koncert dhe m\u00eb shum\u00eb si kujtes\u00eb e p\u00ebrbashk\u00ebt. Ata i afrohen k\u00ebng\u00ebs me kujdes duke kuptuar se ajo p\u00ebrfaq\u00ebson histori po aq sa muzik\u00eb.<\/p>\n<p>&nbsp;<\/p>\n<p>Ata shpjegojn\u00eb se interpretimi i k\u00ebng\u00ebve t\u00eb tilla sjell p\u00ebrgjegj\u00ebsi. Q\u00ebllimi nuk \u00ebsht\u00eb vet\u00ebm t\u00eb k\u00ebndohet sakt\u00eb, por t\u00eb ruhet ndjenja dhe respekti. \u00c7do not\u00eb duhet t\u00eb mbaj\u00eb kuptim, jo vet\u00ebm melodi. P\u00ebr d\u00ebgjuesit e rinj shpesh \u00ebsht\u00eb hyrja e par\u00eb n\u00eb t\u00eb kaluar\u00ebn, nd\u00ebrsa p\u00ebr m\u00eb t\u00eb moshuarit zgjon kujtime. N\u00eb ato momente zhduket distanca mes brezave. Muzika b\u00ebhet ur\u00eb mes historive, emocioneve dhe koh\u00ebs. P\u00ebrmes performancave t\u00eb tilla, The Guitar Sisters &amp; Jon tregojn\u00eb se muzika mund t\u00eb arg\u00ebtoj\u00eb, por edhe t\u00eb kujtoj\u00eb, nderoj\u00eb dhe m\u00ebsoj\u00eb nj\u00ebkoh\u00ebsisht.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Muzika shpesh fillon si shprehje personale por ndonj\u00ebher\u00eb rritet n\u00eb di\u00e7ka m\u00eb t\u00eb madhe. The Guitar Sisters &amp; Jon nuk filluan me plan karriere. Ata filluan me mbr\u00ebmje t\u00eb p\u00ebrbashk\u00ebta n\u00eb sht\u00ebpi. Me kalimin e koh\u00ebs ato u kthyen n\u00eb performanca, udh\u00ebtime dhe publik. Historia e tyre tregon se muzika nuk fillon gjithmon\u00eb nga ambicia. Ndonj\u00ebher\u00eb fillon nga familja dhe mbetet familje edhe kur ndizen dritat e sken\u00ebs.<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\ud83d\udce6 FAKTE T\u00cb SHPEJTA P\u00cbR GRUPIN<\/em><\/strong><\/p>\n<ul>\n<li><strong><em> Bashk\u00ebpunimi i \u00ebndrrave: Va\u00e7e Zela<\/em><\/strong><\/li>\n<li><strong><em> Festivali historik i preferuar: Akordet e Kosov\u00ebs<\/em><\/strong><\/li>\n<li><strong><em> Talent i fshehur: Joni k\u00ebrcen<\/em><\/strong><\/li>\n<li><strong><em> Frym\u00ebzim muzikor: k\u00ebng\u00eb p\u00ebr natyr\u00ebn si Baresha<\/em><\/strong><\/li>\n<li><strong><em> Ushqimi i preferuar: ushqim tradicional nga Kosova<\/em><\/strong><\/li>\n<li><strong><em> D\u00ebshira p\u00ebr t\u00eb ardhmen: m\u00eb shum\u00eb mb\u00ebshtetje p\u00ebr vlerat e v\u00ebrteta artistike<\/em><\/strong><\/li>\n<\/ul>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>P\u00ebr lexuesit tan\u00eb t\u00eb rregullt:<\/em><\/strong><\/p>\n<p><strong><em>Mund ta mbani mend m\u00ebsuesin e muzik\u00ebs Ymer Musa, t\u00eb prezantuar m\u00eb par\u00eb n\u00eb revist\u00ebn ton\u00eb. Inkurajimi i tij luajti rol t\u00eb r\u00ebnd\u00ebsish\u00ebm kur ai ftoi Rrezart\u00ebn t\u00eb bashkohej n\u00eb klas\u00ebn e kitar\u00ebs.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nga mbr\u00ebmjet muzikore n\u00eb sht\u00ebpi deri te koncertet para publikut t\u00eb madh, The Guitar Sisters &#038; Jon tregojn\u00eb se talenti, familja dhe dashuria p\u00ebr muzik\u00ebn mund t\u00eb krijojn\u00eb di\u00e7ka t\u00eb ve\u00e7ant\u00eb. Nj\u00eb histori frym\u00ebzuese p\u00ebr \u00ebndrrat, tradit\u00ebn dhe fuqin\u00eb e t\u00eb krijuarit s\u00eb bashku.<\/p>\n","protected":false},"author":3,"featured_media":8612,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91],"tags":[],"class_list":["post-8611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicbox"],"_links":{"self":[{"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/posts\/8611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/comments?post=8611"}],"version-history":[{"count":1,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/posts\/8611\/revisions"}],"predecessor-version":[{"id":8613,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/posts\/8611\/revisions\/8613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/media\/8612"}],"wp:attachment":[{"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/media?parent=8611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/categories?post=8611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineforyou.com\/1\/wp-json\/wp\/v2\/tags?post=8611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}